But then just days after it came out, I began to get calls and letters from all over the country saying what a fantastic breakthrough format in journalism. I thought, Jesus Christ . . . I guess I shouldn't say anything. In a way it was an almost accidental breakthrough --- a whole new style of journalism which now passes for whatever Gonzo is . . . accidental and desperation.
If, for instance, they have heard something from the postman, they attribute it to a semi-official statement; if they have fallen into conversation with a stranger at a bar, they can conscientiously describe him as a source that has hitherto proved unimpeachable. It is only when the journalist is reporting a whim of his own, and one to which he attaches minor importance, that he defines it as the opinion of well-informed circles.
I'd get into a room and disappear into the woodwork. Now the rooms are so crowded with reporters getting behind-the-scenes stories that nobody can get behind-the-scenes stories.
It was a fatal day when the public discovered that the pen is mightier than the paving-stone, and can be made as offensive as the brickbat. They at once sought for the journalist, found him, developed him, and made him their industrious and well-paid servant. It is greatly to be regretted, for both their sakes.